
Okay, Madeline was never really in Peoria, so far as we know. But following the success of the first Madeline book, there were a number of sequels by author Ludwig Bemelmans, including Madeline in London.
The character of Madeline may have inherited some of her own rebellious/mischievous spirit from author Bemelmans himself. He was no angel, for sure, and moved to the United States at his parent’s urging after he was involved in a shooting in his uncle’s hotel in Austria. While in the US, his career as a waiter did not take off as his parents hoped (good for us) and he subsequently joined the Army. Eventually, he returned to civilian life and opened a restaurant. He never forgot his first love, though: as the son of an artist, Bemelmans loved to draw and paint and continued to work on his artist’s skills.
At the age of 36, Bemelmans published his first children’s book, Hansi.
Five years later, Bemelsman introduced Madeline,
a children’s book named after his wife, Madeleine Freund. It was rejected by a number of publishing houses who did not feel it was kid-friendly enough. Finally, Simon and Schuster gave Bemelsman the green light and Madeline was published.
Bemelmans went on to publish a number of Madeline stories, as well as a host of children’s stories. In total there were seven Madeline stories published by Bemelmans. Five of the stories were published as books during Bemelmans’ lifetime: Madeline, Madeline’s Rescue, Madeline and the Bad Hat, Madeline and the Gypsies, and Madeline in London. Madeline’s Christmas was published as a book in the mid-80s; it was originally published as a magazine story in McCall’s. Finally, Madeline in America and Other Holiday Tales, was published less than a decade ago after being discovered years after Bemelmans’ death.
Bemelmans received the Caldecott Award in 1954 for Madeline’s Rescue,
just as he did for the original Madeline.
The original Madeline was perhaps such a hit because of her personality. While most little girls in children’s books of that era were all sweetness and light, Madeline had spunk. The smallest of the girls at her boarding school (not an orphanage!), she was fearless - walking on stone bridges and smiling at tigers in the zoo. Adults found her precocious and charming; children found her irresistible and maybe a little inspirational.
The spark that made Madeline so special in her stories was missing in Madeline in London, the least interesting of the five books. London is such a great destination and Bemelmans, as a world traveler, surely could have crafted a first class story. The book is, as always, beautifully illustrated - one of the more colorful of the series. But the story falls flat.
The storyline revolves around Madeline’s friend, Pepito (the son of the Spanish ambassador), who has moved to London. He misses his friends and his birthday is fast approaching. His mother, sensing his sadness, invites Madeline, Miss Clavell and the entire boarding school to London for a visit. The girls secure a horse for Pepito for his birthday, and hijinks ensue. Only, the hijinks are not only not believable, they are not particularly entertaining either.
I guess I find the story most disappointing because the other Madeline storylines were so well-crafted. In this story, however, the plot feels ill-conceived and there’s no real interplay between the characters. I happen to enjoy the relationship between Madeline and Miss Clavell; Madeline constantly challenges Miss Clavell but they remain, in an adult-child manner, friends. There are not nearly enough stories where adults are central figures and not the “bad guy” - however, you always have the feeling that no matter what kind of trouble Madeline gets into, Miss Clavell will forgive her.
That’s what makes the series - and the characters - so endearing. If you haven’t already read this children’s classic, give Madeline a chance. I highly recommend the original as well as Madeline’s Rescue. If you’re on a limited budget, you may want to skip over Madeline in London. It’s the one bad hat in the bunch.
“And that’s all there is — there isn’t any more.”
Madeline, Madeline in London, Bemelmans